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CNTRL+P: Printmaking in the 21st Century
by University of Tennessee Alumni Curator

Keynote Presentation: Friday, March 20, 2015, Knoxville Convention Center Ballroom A-B, 8:30am-9:30am

Sarah Suzuki, is an Associate Curator of Drawings and Prints at the Museum of Modern Art. At MoMA, Suzuki has curated exhibitions including Wait, Later This Will All Be Nothing: Editions by Dieter Roth (2013), Printin' (2011) with the artist Ellen Gallagher, 'Ideas Not Theories': Artists and The Club, 1942-1962 (2010), Rock Paper Scissors (2010), Mind & Matter: Alternative Abstractions, 1940 to Now (2010), Wunderkammer: A Century of Curiosities (2008), as well as solo exhibitions of Meiro Koizumi (2013), Yin Xiuzhen (2010), Song Dong (2009), and Gert and Uwe Tobias (2008). Her upcoming projects include an exhibition on the early work of Jean Dubuffet, and the rise of popular culture in Paris in the 1890s centered on Henri de Toulouse-Lautrec. Her latest volume, Wait, Later This Will Be Nothing: Editions by Dieter Roth was published by The Museum of Modern Art in 2013. Among her other publications are 2012's What is a Print?, as well as contributions to numerous books, catalogues, and journals including Modern Women: Women Artists at The Museum of Modern Art (2010); Dada in the Collection of The Museum of Modern Art (2008), Eye on Europe: Prints, Books & Multiples/1960 to Now (2006), Greater New York 2005 (2005), and Artists & Prints: Masterworks from The Museum of Modern Art (2004), as well as a revised edition of the Museum's collection handbook. She authored "Print People: A Brief Taxonomy of Contemporary Printmaking" in the Winter 2011 issue of the Art Journal. A graduate of Dartmouth College (BA) and Columbia University (MA), she has lectured widely and taught numerous courses on the subject of modern and contemporary art.



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