Though a magnificent host, the elder Beckford was no glutton. In the year of his first Mayoralty, 1763, Beckford, stood by the side of Alderman Wilkes, attacked for his No. 45 of The North Briton. As champion of the popular cause, when he had been again elected to the Mayoralty, Beckford, on the 23rd of May, 1770, went up to King George the Third at the head of the Aldermen and Livery with an address which the king snubbed with a short answer. Beckford asked leave to reply, and before His Majesty recovered breath from his astonishment, proceeded to reply in words that remain graven in gold upon his monument in Guildhall. Young Beckford, the author of "Vathek," was then a boy not quite eleven years old, an only son; and he was left three years afterwards, by his fatherís death, heir to an income of a hundred thousand a year, with a million of cash in hand.
During his minority young Beckfordís mother, who was a granddaughter of the sixth Earl of Abercorn, placed him under a private tutor. He was taught music by Mozart; and the Earl of Chatham, who had been his fatherís friend, thought him so fanciful a boyó"all air and fire"óthat he advised his mother to keep the Arabian Nights out of his way. Happily she could not, for Vathek adds the thousand and second to the thousand and one tales, with the difference that it joins to wild inventions in the spirit of the East touches of playful extravagance that could come only from an English humourist who sometimes laughed at his own tale, and did not mind turning its comic side to the reader. The younger William Beckford had been born at his fatherís seat in Wiltshire, Fonthill Abbey; and at seventeen amused himself with a caricature "History of Extraordinary Painters," encouraging the house-keeper of Fonthill to show the pictures to visitors as works of Og of Basan and other worthies in her usual edifying manner.
Young Beckfordís education was continued for a year and a half at Geneva.
He then travelled in Italy and the Low Countries, and it was at this time
that he amused himself by writing, at the age of about twenty-two, "Vathek"
in French, at a single sitting; but he gave his mind to it and the sitting
lasted three days and two nights. An English version of it was made
by a stranger, and published without permission in 1784. Beckford
himself published his tale at Paris and Lausanne in 1787, one year after
the death of a wife to whom he had been three years married, and who left
him with two daughters.
Beckford went to Portugal and Spain; returned to France, and was present
at the storming of the Bastille. He was often abroad; he bought Gibbonís
library at Lausanne, and shut himself up with it for a time, having a notion
of reading it through. He was occasionally in Parliament, but did
not care for that kind of amusement. He wrote pieces of less enduring
interest than "Vathek," including two burlesques upon the sentimental novel
of his time. In 1796 he settled down at Fonthill, and began to spend
there abundantly on building and rebuilding. Perhaps he thought of
Vathekís tower when he employed workmen day and night to build a tower
for himself three hundred feet high, and set them to begin it again when
it fell down. He is said to have spent upon Fonthill a quarter of
a million, living there in much seclusion during the last twenty years
of his life. He died in 1844.
The happy thought of this William Beckfordís life was "Vathek."
It is a story that paints neither man nor outward nature as they are, but
reproduces with happy vivacity the luxuriant imagery and wild incidents
of an Arabian tale. There is a ghost of a moral in the story of a
sensual Caliph going to the bad, as represented by his final introduction
to the Halls of Eblis. But the enjoyment given by the book reflects
the real enjoyment that the author had in writing itóenjoyment great enough
to cause it to be written at a heat, in one long sitting, without flagging
power. Young and lively, he delivered himself up to a free run of
fancy, revelled in the piled-up enormities of the Wicked Mother, who had
not brought up Vathek properly, and certainly wrote some parts of his nightmare
tale as merrily as if he were designing matter for a pantomime.
Whoever, in reading "Vathek," takes it altogether seriously, does not
read it as it was written. We must have an eye for the vein of caricature
that now and then comes to the surface, and invites a laugh without disturbing
the sense of Eastern extravagance bent seriously upon the elaboration of
a tale crowded with incident and action. Taken altogether seriously,
the book has faults of construction. But the faults turn into beauties
when we catch the twinkle in the writerís eye.