A Brief Description of the Mahabharata
The Mahabharata has existed in various forms
for well over two thousand years:
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First, starting in the middle of the first millennium
BCE, it existed in the form of popular stories of Gods, kings, and seers
retained, retold, and improved by priests living in shrines, ascetics living
in retreats or wandering about, and by traveling bards, minstrels, dance-troupes,
etc.
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Later, after about 350 CE, it came to be a unified,
sacred text of 100,000 stanzas written in Sanskrit, distributed throughout
India by kings and wealthy patrons, and declaimed from temples.
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Even after it became a famous Sanskrit writing it
continued to exist in various performance media in many different local
genres of dance and theater throughout India and then Southeast Asia.
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Finally, it came to exist, in numerous literary and
popular transformations in many of the non-Sanskrit vernacular languages
of India and Southeast Asia, which (with the exception of Tamil, a language
that had developed a classical literature in the first millennium BCE)
began developing recorded literatures shortly after 1000 CE.
The Mahabharata was one of the two most important
factors that created the "Hindu" culture of India (the other was the other
all-India epic, the Ramayana, pronounced approximately as Raa-MEYE-a-na),
and the Mahabharata and Ramayana still exert tremendous cultural
influence throughout India and Southeast Asia.
But the historical importance of the Mahabharata
is not the main reason to read the Mahabharata. Quite simply,
the Mahabharata is a powerful and amazing text that inspires awe
and wonder. It presents sweeping visions of the cosmos and humanity
and intriguing and frightening glimpses of divinity in an ancient narrative
that is accessible, interesting, and compelling for anyone willing to learn
the basic themes of India's culture. The Mahabharata definitely
is one of those creations of human language and spirit that has traveled
far beyond the place of its original creation and will eventually take
its rightful place on the highest shelf of world literature beside
Homer's epics, the Greek tragedies, the Bible, Shakespeare, and similarly
transcendent works.
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Copyright © 1999 James L. Fitzgerald
1.12 Created and maintained
by James L. Fitzgerald, Department of Religious Studies, University of
Tennessee, Knoxville
e-mail
jfitzge1@utk.edu